“With plays, you have to leave an impression on the audience; you have to make them remember you. Musicals, they’ll come out humming the song and like, ‘Oh, that was a really fun song’ and they might not have paid attention to as much of what we’re saying. With plays, they are on every word that you’re saying so you’ve got to enunciate, you’ve got to pick when you’re going to dictate what words you find most important. And so I kind of liked the plays more, on like the receiving feedback side because they really are like ‘I noticed when you said this line,’ you said it like this and it was really cool.’ Whereas I hear from everyone else like ‘you sang beautifully’ or ‘you did a really cool dance move’ and not your meaning that you sang when you sang that was beautiful.”
Humans of Community: Ebie Lamb
How did you decide what parts of theatre to focus on?
Ebie Lamb has her mic check for the first understudy run of Natasha, Pierre & The Great Comet of 1812.
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About the Contributor
Amelia Sandstrom, Social Media Editor-in-Chief
Amelia is a junior at CHS, entering her fourth year on staff, and her first as a SMEIC. She likes to fill her schedule with as many activities as possible, to best expend her plentiful supply of energy. These include, but are not limited to, playing soccer, performing in plays and musicals, spending time with her friends and family, and of course, creating content for The Communicator.